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FIVE PLUS Art Gallery


Di-Fr 12:00-18:00, Sa 11:00-15:00

und nach Vereinbarung
Argentinierstr.41, 1040 Wien
Tel +43 (660) 2998 164, +43 (660) 2998 757





The Public Institution Museum of Kozara Prijedor with the support of the city of Prijedor is opening  competition for the 2nd International Biennial of Artworks on Paper, Prijedor 2018.


The competition is open from 1st January 2018 to 15th March 2018.


All artists who are over 18 years of age and who accept the conditions and terms of participation can enter the competition.


The artists can choose the theme and technique freely and can submit no more than two artworks in one exhibition category only. Only the original artworks made in last two years and assessed as highly artistic and professional will be accepted for the exhibition.


The exhibition categories are:

  1. Painting,
  2. Drawing and graphics,
  3. Photography and intermedia.


According to the competition regulations, submitted artworks must be on paper only and have maximum size  of A4 format (21×29.7cm or 8.27×11.69inch).


Artworks, application form and fee payment receipt (with full name and surname) should be submitted  not later than 15th March to: JU Matični muzej Kozare Prijedor, Nikola Pašić St., 79101 Prijedor, Republic of Srpska, BiH, with an indication „for the 2nd International Biennial of Artworks on Paper, Prijedor 2018“.


All participants pay the participation fee except for those  who are invited to exhibit and the authors from Prijedor. Authors from Bosnia and Herzegovina pay the participation fee of 10KM net while the international authors pay 10 EUR net.


The awards of the Biennial are three equal prizes in the amount of 500 EUR for each exhibition category which will be paid to bank accounts of award-winning authors.


Not all exhibition categories have to be awarded. The awarded artworks become a part of the Museum of Prijedor art collection as the reward means the buyout of artwork.


Authors can give their artworks to the Organizer as a gift. The author agrees the artwork is irreversible and uncoditional and  that the Organizer is the future  owner of the artwork. In case an author decides to give his/her artwork to the Organizer, he/she should fill in and sign a specific form which can be downloaded from the Museum of Kozara website. The artworks will be returned if the Selection Board or the International Jury doesn’t accept any of the artworks for the exhibition.


The members of the International  Jury of the 2nd International Biennial of Artworks on Paper Prijedor 2018 are:

– Michael Nixon (Great Britain)

– Ljiljana Subotić (Serbia)

– Milivoje Unković (Bosnia and Herzegovina)


Opening ceremony is on 22nd August 2018 at the Museum of Kozara Prijedor.

Some of the accepted artworks will be exhibited at the Gallery 96 in Prijedor.



– The competition is open from 1st January 2018 to 15th March 2018

– Selection and judging of artworks:  25th April 2018 –  27th April  2018

– Deadline for returning rejected artworks:  30th June 2018

– Opening ceremony:  22nd August 2018

– Duration of the exhibition:  22nd August 2018 – 30th September 2018

– Deadline for returning the artworks : 31st December 2018


For further information, please contact us by


e-mail: bijenaleprijedor@gmail.com



About us: :http://bijenale-prijedor.com/







Jorge Andrade and José Capela, from Portuguese theatre company mala voadora, and Spanish author Pablo Gisbert took part of the Writing Residency of the Manual at L’arboreto Teatro Dimora.

The residency included a meeting with the community of Mondaino, gathering locals from different generations, who shared their experiences and thoughts about the project-related topics.

According to José Capela, “The Manual does not wrap with absolute accuracy the forthcoming performances. It includes instructions which are open to interpretation. We wanted the Manual to be flexible enough so that each performance is able to have its own identity.”

After the Writing Residency, L’arboreto – Teatro Dimora will host the first public reading of the text of the Manual in December 2017. That text will generate four different performances in Patras, Alcobaça, Montijo and Pergine in 2018. Local communities will participate in artistic residencies and star in those performances.


Watch and share:










International Seminar debates work and happiness

in Italy’s Pergine Spettacolo Aperto festival


The International Seminar on Work and Happiness will be held during the Pergine Spettacolo Aperto festival (Italy) on July 14 and 15 2017.


The 2-day event is the first public activity organised in the framework of the project A MANUAL ON WORK AND HAPPINESS, which is being implemented with the support of the Creative Europe programme of the European Union.

Featuring an International conference-talk show entitled « Happiness calling », performances, a film screening, workshops and « lazyshops », the International Seminar will explore the interaction between equal opportunities, happiness, work, laziness and the artistic creation. The programme will see the participation of scholars, curators and artists, showing the need to rethink the relationship between work and happiness from a multidisciplinary perspective.

Among the participants are British philosopher Nina Power and Helen Hester, Spanish architect Santiago Cirugeda, Greek filmmaker Apostolos Karakasis and Italian researcher Riccarda Zezza.

Full programme is available for download here:



Local and international audiences are invited to join the debate by answering the following question:

Do you believe we can reach happiness through work or through laziness? Tell us why!

Locals can pick up a bulletin in the several venues of the festival, write down their opinion and cast their vote in one of the two ballots (work or happiness) which are placed at the festival’s box office centre, Sala Maier (Piazza Serra 14, Pergine).

Online participation is also encouraged. People can share their opinion at the Get Involved section of the project’s digital platform or, alternatively send their comments to the following email: manual@amanualonworkandhappiness.eu.

Both printed and online contributions will nourish the debate of the HAPPINESS CALLING talk-show, which will be held on July 14 at 9pm (Italian time).

The event will be live streamed here and in the facebook of the A MANUAL ON WORK AND HAPPINESS.


Background information on A MANUAL ON WORK AND HAPPINESS:


A Manual on Work and Happiness – digital platform:

A Manual on Work and Happiness – facebook

International Seminar – full programme:

International Seminar – Spot:

Vitor Pinto – Artemrede
vitor.pinto@artemrede.pt I +351 927 562 744








Four projects – and not two, as initially planned – have been selected for the International Seminar on Work and Happiness following the call for workshops and lazyshops launched early March.


Two months – and many proposals – later curators Carla Esperanza Tommasini (Pergine Spettacolo Aperto) and José Capela (mala voadora) have chosen a list of projects including The Laboratory of doing Nothing by Christina Schults, Worker’s Club by Einat Tuchman/Incompany, Field Work 2 by Vanja Babic and Bojan Mucko and Laissez Faire by Marta Melucci and Francesca Telli/Schuko Company.


The origin of all evil in the world is work. This is the principle upon which German-born Barcelona-based performer Christina Schults built her The Laboratory of doing Nothing – a collaborative artistic piece in the form of an experimental workshop which investigates the root of all misery on the world.


Brussels’ collective Incompany will present Worker’s Club, a workshop which intends to explore the gap between our values and what we actually do at work – thus redefining values and investigating the desire for change. Incompany is a collaborative project which brings together Einat Tuchman, Heike Langsdorph and Nicolas Galeazzi.


Vanja Babic and Bojan Mucko, from Croatia, will present Field Work 2, a project exploring physical separations and the occupation of the public space which looks upon work as a social sculpture.


Finally, Marta Melucci and Francesca Telli from Italy’s Schuko Company will come up with Laissez Faire, a lazyshop based on the idea of passivity, a radical physical condition in which participants will be assisted on their elementary actions.


The full programme of the International Seminar will be unveiled in June. The event will be held on July 14 and 15 during the Pergine Spettacolo Aperto performing arts festival.






Women Poets: Within and Beyond Shores Paperback – Unabridged, 2017



by Dr. Shamenaz Bano (Author)

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Editorial Reviews

About the Editor

Dr. Shamenaz Bano is currently teaching English at Ewing Christian College, Allahabad. As part of the Department of English, University of Allahabad, she taught English Literature & Language in 2015-16. She is also former Associate Professor and Head of the Department of Applied Sciences & Humanities, AIET, Allahabad. With a D. Phil in English Literature from the University of Allahabad, she has professional experience of more than 13 years. Her specialization is in South Asian Women Writing. She is the Author of ‘Shades of Life’ and Co-author of an anthology of poetry titled The Celebration of Our Voices with Deborah Brooks Langford of USA. She has co-edited Feeling for You with Armeli Quezon of USA. She has contributed poems to many international poetry anthologies like Poetry Archive, Feeling International, Women of Passion, Poetic Souls and Glomag. She is a member of the Editorial Board of journals including International Journal of Research and Humanitarian Studies (Jordan), Cyber Literature: An Online Journal, The Context, English Literator Society, Literary Miscellany, Research Access & Expressions, LevureLitteraire (France-Germany-USA).

Dr. Shamenaz has published over 60 research papers and 31 book reviews in National & International journals and websites. She has presented papers at 18 International Seminars/Conferences and 36 National Seminars/Conferences and attended 7 workshops in India.

She is a member of the Executive Committee of Progressive Writers Association.


Her Blogs are:





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·         Paperback: 242 pages

·         Publisher: Authorspress (2017)

·         Language: English

·         ISBN-10: 9352075307

·         ISBN-13: 978-9352075300

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·         Amazon Best Sellers Rank: #916,309 in Books (See Top 100 in Books)


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Saturday Saints




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SANDY: Chronicles of a Superstorm


« This distinctive visual-literary coalescing of art and poetry by two 21st Century creatives sensitively and perceptively recalls the overwhelming catastrophe known as “Superstorm Sandy” that hit New Jersey and New York on October 29-30, 2012… »

Dr. Jose Rodeiro, Ph.D., Art Professor New Jersey City University


Available now at Independent Booksellers including:

The Dolphin Bookshop, Port Washington, NY;

RiverRead Books, Binghamton, NY;

Berl’s Brooklyn Poetry Shop, Brooklyn, NY.


Also available on Amazon.


Poetry by Michael Foldes, images by Christie Devereaux.


Signed copies available directly from the author/artist.







Palestine’s Two-State Dilemma


Norman Finkelstein: The End of Palestine?

Stephen R. Shalom: One State or Two States: Prospects, Possibilities, and Politics



Rosa Luxemburg’s 21st Century Legacy


Peter Hudis: Rosa Luxemburg’s Accumulation of Capital Reconsidered

Axel Fair-Schulz: Reconsidering Rosa Luxemburg for the 21st Century




Herbert J. Gans: Fixing Representative Democracy

Kevin B. Anderson: The Althusserian Cul-de-Sac

Philip Green: Reflections on Arendt

Leonard Quart and Al Auster: Inside Llewyn Davis: The Coens’ Melancholy and Luminous Ballads




Review Essay: Camus and Bourdieu on Algeria
Reviewed by Timothy Johnson

Country Girl: A Memoir, by Edna O’Brien
Reviewed by Oengus MacNamara

Why Public Higher Education Should be Free: How to Decrease Cost and Increase Quality At American Universities, by Robert Samuels
Reviewed by Peter N. Kirstein

Marx’s Concept of the Alternative to Capitalism, by Peter Hudis
Reviewed by Jason Schulman

Worldly Philosopher: The Odyssey of Albert O. Hirschman, by Jeremy Adelman
Reviewed by Kim Scipes

Never Let a Serious Crisis go to Waste, Philip Mirowski
Reviewed by Daniel Steinmetz-Jenkins